Saturday, December 22, 2012
Two Poems About My New Granddaughters
Monday, November 19, 2012
Peace Corps Story Slam: A Honduran Miracle
On November 17, 2012, The Brooklyn-Queens Association of Returned Peace Corps Volunteers had a story slam at Two Moon - Art and Coffee House in Brooklyn. The photos above are me telling my story Honduran Miracle and below is the story.
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Sunday, July 15, 2012
Sex Dreams
Thursday, March 1, 2012
The Prisoner
Wednesday, January 4, 2012
A Poem and a Painting for my Grandson Simon Devol
Advise to My Grandson
If you’re a man,
Even the tight, green bud of a man,
You’ve got to love the snake
And embrace the skull.
You’ve got to check into
The Motel Diablo,
Shoot craps at the crossroads,
And light a candle for El Maximo.
Whisper in San Simon’s pink plaster ear,
“No tengo miedo, cabron, No tengo miedo.”
Blow cigar smoke in his face.
Leave him a tumbler of Havana Club.
If you’re a man,
Even the tight, green bud of a man,
You gotta fight the devil everyday.
Let me Polonify your skinny ass.
Remember, "The soft and the pliable will defeat the hard and strong."
If you fight him head on,
You’ll get hog tied, up a creek, flat on your back.
T’ia chi the fucker,
Yin and then yang his shiny red behind.
High five him, buy him a beer, put an arm around his shoulder.
You call the shots.
Then,
Then,
Walk away.
If you’re a man,
Even the tight green bud of a man,
Then,
Then,
You can walk the dog,
Rock the cradle,
Go round the world,
Learn to dance in three languages.
Kiss your best buddy smack on the lips.
Play air guitar like Johnny B. Good and Jumping Jack Flash.
Let your heart break while singing,
“I couldn’t sleep a wink for trying.
I saw the rising of the sun.
All night long my heart was crying
You’re the one, You’re the one, You’re the one.”
And then…
Monday, October 31, 2011
When Artists Go Bad
When Artists Go Bad
While passing through
The Albuquerque airport
I saw Dale Chihuly in chains;
Thick ones on his wrists,
Thin ones that tinkled
Around his ankles
Checking his stride as he walked.
He was being transported
By federal marshals.
One was muscular, handsome, Hispanic.
The other wore a Hawaiian shirt
And an expression
That said
To maintain law and order
Murder is always justified.
In this context
Dale’s eye patch
Seemed somewhat sinister.
So did the tears tattooed
In the corner
Of his visible eye,
And the spider web on his elbow.
The artist and his two guards
Were given special handling
At security.
I lost sight of them.
But later they were seated
On stools at the counter of
All Aboard Noodles.
Dale was seated in the middle
Eating from a steamy glass bowl
With a porcelain spoon,
Slices of pink pork
Like poker chips
Floating in golden broth
White noodles looped
Like calligraphy.
Tying not to stare
I passed them by.
When first class was called
For my flight to DC
I made a last minute trip
To the bathroom.
Dale stood at the urinal
Dick in manacled hands
Pissing loudly.
The Hispanic marshal
Stood one step behind him
A respectful distance
But within easy arm’s reach.
They spoke like
Business acquaintances
Which I suppose they were.
“When we woke up this morning
I had to scrape the ice off
The fucking windshield.”
“Where did you guys
Stay last night, Los Alamos?”
“I don’t know where the hell we were.
He was driving.”
The marshal spoke perfect English,
But Dale had a heavy Spanish accent.
Strange I thought at the time
For a one-eyed glassblower
From Tacoma.
I wanted to say,
“Mr. Chihuly,
Over the years
Your art has given me
So much pleasure.
Thank you for creating
All that beauty.”
I wanted to say
“That bowl of noodles
Made my mouth water.”
Under the circumstances –
The US marshal,
The chains,
Dale vigorously shaking his dick –
I said nothing.
They walked out together
Law enforcement holding the elbow
Of a ground breaking artist
Gone bad.
I was filled with regret
For gratitude unspoken.
For passing on the noodles.
(I did spot Dale Chihuly in an airport recently, but it was Newark not Albuquerque and he was not in chains. I do regret not having spoken to him.)
Saturday, December 18, 2010
An Old Guys Love Poems
I've been writing Portrait of the Artist for a full year now. I started it last December as a way of paying attention to and celebrating aging. I turned 65 in May making me officially an old guy.
With this posting I am bringing this project to and end. However, this blog will go on as a place where I can write about anything that is on my mind. And...
In January I will be launching Portrait of the Artist as an Old Man - Part II, in which I will be writing about and presenting portraits of working artist over the age of 65. So my focus will be shifting from autobiography and memoir to biography, to an examination of aging and creativity not just in myself, but in others. I'm very excited to be working on this project and grateful to everyone who has supported it with donations and suggestions.
Now to close out this portion of Portrait of the Artist as an Old Man:
Stories
I.
Deb, long before I knew you
I spent a weekend on Block Island
With Miranda.
I think she was three.
That makes it thirty-five years ago.
We climbed down the bluffs
And built driftwood sculptures on the beach.
(In a snapshot, she wears
A tiny red and white plaid bathing suit.
Her hair,
That refused comb or brush,
Halos her head)
That night, thunder rattled the windows
Of our hotel room
And lightening toppled a chimney near by.
Miranda slept through it.
I stayed awake to protect her.
I’ve told you this story
A hundred times.
I want you to know all my stories,
To be proud of me
And to forgive me.
II.
“Deb, tell me about the time
Lars fell asleep riding the bike.”
“We had been directing camp in Barnes.
The Dutch families gave us a bunch of bikes to use.
We had been riding bikes all summer.
At the end of camp,
The Dutch families said they would pick them up.
We decided it would be fun
To ride a couple of them to their house.
It was a two or three hour ride.
Lars had Helen in a seat on his bike.
I was pregnant with Jesse.
It was the end of camp
So we were exhausted.
Lars was leading and he just fell over.
I said, ‘Are you alright? Is Helen alright? What happened?’
He said, ‘I fell asleep.’
That was about it.”
You’ve told me that story
A hundred times.
I want to know all your stories.
I want to know about when you and Loie
Were “the little girls.”
I want to know about you getting stoned with Janet
And running the tollbooths on 95.
I want to know about the time you and Lars
Didn’t have thirty-five cents to cross the Mt. Hope Bridge.
I want to know about Helen and Jesse jumping from the hayloft
And crumpling the roofs of the antique cars.
III.
Deb, last September 2nd , before dawn,
When you were home in Rhode Island,
I pedaled my bike a couple of miles
Out into the Nevada desert
To an art oasis of upholstered couches and chairs
And fake palm tree umbrellas.
Just as the sun was raising
I sat next to a skinny
Sixteen-year-old boy.
In lieu of shaking hands,
He hugged me
Like the prodigal son coming home
To his long lost father.
This boy had two names.
The name given him at birth
Was Alexander, my middle name.
It means, he tells me, ruler of many.
But his desert name in Shanghai.
He is too stoned to talk much.
He is sweet and spacey.
He is much too thin.
If it were possible,
I’d take him out for a cheeseburger.
He would order
The brown rice, tofu, organic shitake, goat cheese burger.
“Have I told you this story?”
“Only about a hundred times.”
I want you to know all my stories.
Living the story is half the story.
Telling you the story completes it.
IV.
Deb, remember when…
Remember when…
Remember when…
Remember when we got massages
From the blind guy in Truth or Consequences?
Remember when we climbed Cadillac Mountain
To watch the sun rise?
Remember when we saw a palliated woodpecker
From our canoe?
Remember when we got robbed
On the beach in Guatemala?
Remember when we dropped Miranda and Helen off
At U-Mass?
Deb, remember everything that happened in Honduras?
I want to remember all our stories.
I want to tell them to each other
A hundred times.
Husband in Winter
In the middle of the night
I wake up in my warm bed.
I nudge Deb softly.
Yeah, she is still there.
I get up to pee,
Walk past the coats in the hall,
The door to the basement.
The clock on the stove says 2:10.
My old bladder knows the hour,
If not the minute.
There is moonlight coming in the back door.
I can make out the silhouette of the big rosemary plant.
I sit.
No sense in trying to steer
When I’m half asleep.
The thermostat is set at 58.
I’m cold
When I slip
Back under the covers.
But, Deb is warm.
I press against her,
Snuggling, spooning.
One day,
One of us
Will be alone
In this bed.
One of us
Will have to wait
While the heat of one body
Warms it up.

