Showing posts with label poems. Show all posts
Showing posts with label poems. Show all posts

Saturday, December 22, 2012

Two Poems About My New Granddaughters


On October 29th, my tenth grandchild was born. Her name is Alma Drew Youngren. On December 18th, number eleven came into the world. Her name is Willa Louise Hacket. Both of them needed medical intervention at birth. Alma, particularly, was very sick. She spent four weeks in the hospital and there was a brief period when it looked like she might not make it. She is fine now. Willa’s problems were much less serious, but coming on the heels of her cousin, were a significant scared for all her family. Willa, also is now doing fine.
These are two poems I wrote about my newest grandchildren.

Which way to go?

Alma has crossed the border,
Waded the water,
But she hasn’t decided to
Stick around
She is a tiny wetback
From the country
Where
The dearly departed
Tell campfire stories to
The unborn.
She has one foot
In the finite future
And the other
In the infinite past.

Which way to go?
Ahead to warm snuggling in the family bed
Hyperactive doggy kisses from Riley,
Chasing cousins whose legs are seven years longer than hers,
Good Night Moon, The Run Away Bunny, Where the Wild Things Are
Getting on the school bus
Learning cribbage
Algebra, geometry, calculus
Some skinny boy with braces and wispy chin whiskers
A dorm room with a tattooed roommate from Cincinnati
Boston, Brooklyn, Austin
Another boy with muscles like an anatomy chart
Couple of kids
Joy, heartbreak, more joy, more heartbreak
A man with two kids of his own
The house that finally feels like home
Saying good bye to grandparents, parents, friends
Saying good bye, good bye, good bye?
And it all goes by in a heartbeat.

Or
Metaphorically
(Meaning we can’t understand it)
She bakes stollen with Thea
Plays tennis with Bob
Smokes Camels with Maizie while sewing a quilt
Looks up Johnny and finds him running the tilt-a-whirl
Hears all the old stories about me from Ray, Francis, Jerry, and Harriet
Pats Ian’s hand and says, “Its OK, baby. Its all OK.”
Prepares a hell of a welcome for Natalie and Armin.

Which way to go?

The Jelly Bean Seems to be Here to Stay

Miranda, my only biological child,
Was conceived
In The Astro Motel
In Dodge City, Kansas.
It was 1971.
I was married to Andrea back then.
We were driving
A Volkswagen van
Across the US of A.
Andrea could feel her ovaries ping.
“Motel tonight,” she said.
Being twenty-six
I just smiled
And nodded my head.
Four weeks later,
In Sweetwater California,
A pregnancy test confirmed
What we already knew.
Until the day she was born,
Miranda was known as “Sweetwater.”
Forty years later,
Saying my prayers,
As I wait to fall asleep,
Sometimes I throw in,
“God bless Sweetwater.”

I don’t know anything
About the conception of
My mother Maizie.
She was an only child
Orphaned before she was two,
Raised by Aunt Callie and Daddy Jim,
Her and cousin Hobert, another orphan.
They helped take care of the “real” kids;
Frank, Charlie, Dave and Mary Jane.
Maizie had already been married once
When she met my father, Johnny.
She was nineteen.
He tripped her up
While they were walking through
The rotating barrel
At Jefferson Beach
Amusement Park.
It was easy to stay
On your feet in the barrel
By walking into the motion,
Stepping up the wall
As it rotated downward.
But it was credible
To trip over the feet
Of the long legged blond
And end up entwined
As the polished wood floor slid by under you,
Struggle to your feet,
Help her up,
Go down again,
Roll around,
Go to the beer garden by the lake,
Dance real close.

One thing led to another,
But I didn’t come along
Until Maizie was twenty-six.
“Them doctors told me
I couldn’t have children.
But I showed them.”
She only showed them once.
Maizie taught me
to say my prayers
As I wait to fall asleep.

Miranda is forty now.
She’s pregnant.
She showed the doctors.
Once.
This is likely to be
My only
Biological grandchild,
The only child, of an only child, of an only child, of an only child.
For a long time
I wasn’t allowed
To tell anyone
About this only child
Who took so long to come along,
Who in the first ultrasound
Was the size
Of a jelly bean.
Now it is OK
The jelly bean
Seems to be here to stay.
I can tell everyone.
I can write poems.
Saying my prayers
As I wait to fall asleep
I can say,
“God bless the jelly bean.”







Sunday, July 15, 2012

Sex Dreams

(Portrait of me by Tillie Leonard-Fritzmeier)


Dream #1
I am making love to a pregnant woman.
In real life, I know this woman.
Her husband left her
Just after the birth of their second child.
She is much younger than me.
We get along fine.
In the dream her husband has already left,
But she is still pregnant.
She comes to me and says,
“It’s been so long since I felt good.”
I know she is talking about her husband leaving,
But I know, too, she is talking about sex.
I say, “I’m going to make you feel good.”
She closes her eyes
And lets her head fall back.
She is grateful for my touch
And that I’m there.
Her husband has left,
But I’m still there.
I’m grateful to be touching her.
Her belly and breasts
Are so tight they are shiny,
But they don’t get in the way.
There is no clumsiness.
Our lovemaking
Is an exchange of
Generosity and gratitude,
Gratitude and generosity.
It flows back and forth,
Back and forth.

Dream #2
I am taking the sun
On the roof of a rusted out car
In the middle of a big field of tall grass.
I’m naked.
The grass is yellow like gold.
You can see the wind blowing.
It moves the grass in waves.
I know I am in Africa.
I’m taking the sun
On the top of a wrecked car
In the African veldt.
Way off, across the golden grasslands,
I see movement
That is different
Than the wind blowing the grass.
Way off, there is a line of black men
Moving toward me.
They are black black.
Like only African skin is black.
Their faces are painted.
Yellow and white designs
Around their eyes
Across their cheeks and foreheads.
They are carrying spears and shields.
The shields are painted
With the same designs as their faces.
Then I see,
Maybe twenty yards
In front of the hunters,
Something yellow is moving through the yellow grass.
I have know since the beginning of the dream,
Since before I saw the hunters,
What was coming.
A lion zigzags toward me through the grass
In a low crouch,
Moving fast, keeping
Close to the ground.
It can’t double back.
It has to come forward.
I’m not afraid.
I have full knowledge of what will happen next
He is so close
I can look into his yellow eyes.
He puts his paws up on the car.
He is standing up out of the grass.
He is not hidden anymore.
His yellow body stands out clearly
Against the rusty hulk of the car.
He licks me and his lick feels like sex.
His lick lifts my genitals
And fills me with anticipation
And hope.
I wake up.
But before I’m all the way awake,
Before the dream is completely over,
I know the hunters kill the lion.
He gave up his cover for me.
He gave up being
A yellow lion in yellow grass.
Some of the spears
Just clatter against the side of the wrecked car,
But some, enough,
Before I am fully awake
Pierce him.
.

Dream #3
I am reading erotic poetry
In a New England library
Just two blocks from the ocean.
I have read about
Making love to a pregnant woman.
I have read about being licked
By an African lion.
Although it is early in the season,
As I begin reading about a third sex dream,
Outside the library windows,
A hurricane is beginning to blow.
Hurricane Delores, or Desdemona, or Delphinium…
I can’t remember, but
Her winds rattle the windows
And her rains splatter the roof.
Sea foam blows off the tips of waves
And skitters along the street,
Past the post office,
Past the hotel,
Past the surf shop,
Past the library.
Delores/Desdemona/Delphinium
Is making a hell of a lot of noise.
The audience leans forward.
They cup their hands to their ears
Trying to catch my words.
Random words are heard or misheard:
“Licked, semen, blow, clitoris, tits.”
Wow! One man thinks. This is the sexiest one yet!
Delores/Desdemona/Delphinium
Lifts the roof and swirls through the room.
The lighthouse painting crashes to the floor.
Nautical charts of Narragansett Bay
Are ripped from the wall.
The case displaying the
Scrimshaw collection is up-ended.
My lips keep moving
But my words are snatched away
And spread all along the East coast
From Cape May to Old Orchard Beach.
The audience is left
To compose their own erotica.